lunes, 15 de febrero de 2016

original sin or the conquest of freedom

The original sin, is it really insubordination or an expression of freedom?
 Background



 In the Bible's original sin is mentioned as an attempt by man to resemble God. According to the story, the man eating the forbidden fruit wanted to have access to the source of knowledge, a claim that God seemed excessive and therefore decided to expel him from paradise.

 Actually, what original sin is it? Rather than the possibility of access to the knowledge that God is awarded as his only option, this story is a metaphor to mark the discovery of the creative capacity which achieves the gradual domination of the world. Expulsion paradise is only cognitive opening opens the mind to the creative possibilities but also warns of the risk, effort and sometimes unexpected consequences.


 A person who lacks mental or cognitive faculties suffer from deformities or physical limitations against their will (eg extreme dementia or congenital malformations) is happy ( "it is in Heaven") if you have basic needs met. No pressure to ask questions or worry about the meaning of existence, to worry about tomorrow or imagine and make the mental or physical effort to achieve the transformation of nature. Knowledge is alien and the need to achieve is an unknown and nonexistent feeling forever.

  A normal person who discovers the need for knowledge because their nature and impact and influence of others inspire, not satisfied with the current state of affairs, although it may have basic needs satisfied always aspires to something that is beyond feels restlessness, anxiety, unhappiness in some way, it will be "out of paradise" because something is missing.

While it is recognized as part of a place and a time, while aware of the need to leave these parameters to go further, explore, discover, conquer, grow, change, revealing aspects that are characteristic and consequences of creativity. It belongs to a context of time and space yet imagine and try to make other situations, a permanent attempt.

 The expulsion of Eden was a painful, traumatic event; Similarly, dissatisfaction, recognizing the limitations of current knowledge and the need for a major effort to improve it is also painful and traumatic, the equivalent of expulsion.

Creation is not easy, thought is not an easy task and is assumed by few as a means of personal action, always involves risks, penalties, costs, pain.

 Therefore, as God, alone in the vastness of time and space I could not tell whether it was God or had the power it deserves as such, had to create the world to test this ability also had to create a creature with the capacity to recognize him as creator.

 For an artist does not help create beautiful works of art (musical pieces, paintings sculptures, poems) if nobody hears, nobody sees, nobody reads, and even if no one can be astonished by them and this gesture implicitly recognizing the creation and the creator.

 An artist, like God, is often too selfish and when a rival, so skilled and capable as it arises, feels threatened. Like God when found that the man had discovered the creative potential, he performed the act of expulsion from paradise, but being alone was canceled. It is best when there are several creators mutually reinforcing.

 It is not sin or offense, it's just the discovery
 In the middle or dark ages of religious thought age, the idea of ​​original sin was used by the Catholic religion to keep man in ignorance, vital for the material and mental exercise control over people condition.


The insistence on the moral weight of the so-called original sin would force people to wait and accept control by the supposed representatives of divinity, so long did not exist the will nor the conditions to discover their creative potential or the need to replicate the original sin.

 Original sin, which also happens continuously, is the exercise of creativity. It may be through the word to describe, explain or show aspects of reality in multiple ways.

 Literature realizes this through poetry and other forms. Nobody like the poet to suggest realities physically invisible but can be possible in the imagination or in the future in material reality. Jules Verne is a great example of artists who saw ahead worlds that became reality in the future How many visionaries like him can suggest what not see or know?



The artist can display colors that do not exist in reality or present worlds, experiences, realities physically invisible and invisible to the physical eye, but visible to the creator, artist, painter, sculptor. It can reveal the color, chromatic harmony where there is only gray for those who have developed the creative faculty.


The musician can discover sounds or inaudible sound ranges in the material world, creating situations in which the harmony, melody reflect the essence of paradise. A musician, when he creates a haunting melody, not only goes directly to the listener's mind, but can also cause reactions and create incentives that transform markedly listeners. It has been shown that the body responds to certain frequencies, proving that math is part of the universe, that there is an order, a balance, a universal melody with which we can identify.


 The establishment is also revealed in the discovery of the mysteries of nature. The law of gravity Newton's formula of the equivalence of mass and energy of Einstein are also works of art such as painting, music, poetry. Maybe not appreciate them it attributes usually found in a work of art (color, sounds, words) but the mathematical content that reveals the order of the universe is a common element.


The world is mathematical, music has mathematical structure, mathematics is a beautiful discipline and sublime manifestation of human creativity, therefore the universe is beautiful, music and other artistic creations are beautiful.

The universe is revealed, to discover the mysteries of the atom, to create a melody, a poem, a work of art, as the creative faculty is fully exercised, the original sin is repeated, it is continued with the discovery of the creative capacity and progresses more. To commit time and again the original sin, man repeatedly expelled from Paradise and in this process, a dialectical synthesis gets closer and closer to God, the supreme entity, the creator par excellence.

Knowledge is growing in all areas of life, but also the realization that much remains to be discovered is opened, and the continued anguish forces continually create. The tree of good and evil is infinite, or rather the tree of knowledge and creation, as well as the need to appropriate the fruits of it, that is the essence and urgency of human nature.

Conclusions

 God must be calm and pleased that the man committed the original sin, that is, because he has discovered the creative faculty, that is not good may be the only one with the ability to do something, to create, and pretend this state denotes a certain autism or wrong complacency.

 It is better to be accompanied by other artists like him to stand alone, in silence, in the vastness of time and space.

 Or maybe God is not really drove the man but to perceive the gifts he had, he has tested permanently. And man, has proven to be great creator, what is discovered if the gains are gradually materializing is reviewed.

 In some cases, already it reaches critical extremes equate their creator, such as genetic manipulation, but in other cases, the wonders of the world are forever discovering; always from the exercise of creativity without limits, cumulative and more complex.

The so-called original sin is nothing but man's liberation from the constraints to recognize their dogmas creativity, autonomy and the potential to achieve by his own hand, changes that would be impossible by direct action of God, changes in the world who apparently ran out of creativity after creating the world or because seeing his supreme work, man, creative and capable as he decided to renounce forever and left it to their own devices.



Man can create to improve their world, to destroy, it is your choice, you can rebuild the paradise or complete the path to eternal perdition, the end of the world.

jueves, 11 de febrero de 2016

Aleksandr Pushkin, grande romântico poeta ruso

Aleksandr Pushkin, o pai da moderna poesia russa


(1) pintura de Vasily Tropinin (1827)

Aleksandr Sergeyevich Pushkin (Александр Сергеевич Пушкин) nasceu em Moscou em 26 de maio, 1799, ele morreu em São Petersburgo em 29 de janeiro de 1837. Ele foi um poeta, dramaturgo e romancista russo, fundador da literatura russa moderna. Seu trabalho se insere no movimento romântico.

Pushkin criou um estilo de narrativa, misturando drama, romance e sátira, usando a língua russa e muito influenciado figuras literárias subseqüentes, como Dostoievski, Gogol, Tyutchev e Tolstoy.


(2) Aleksandr Pushkin (1827), interpretado por Orest Kiprenski.Galería Tretyakov, Moscovo.

Ele era descendente de uma das famílias mais antigas da aristocracia russa, cuja história remonta ao século XII. Sua avó materna e sua enfermeira, um camponês humilde, para o qual ele sentiu uma imensa devoção ao final de sua vida, incutiu nele um profundo amor por contos populares russos e poesia; feito notável porque sua família aristocrática em francês foi falado. Pushkin recebeu uma boa educação literária com base na literatura e língua francesa. ávido leitor desde a infância, surpreendeu pela sua facilidade de improvisar imitações de seus professores, Molière, Voltaire e Evariste Parny francesa, eo Shakespeare Inglês e Byron.


(3) Aleksandr Pushkin aos 14 anos, antes de recitar um poema Derzhavin no Liceu Imperial em Tsarskoye Selo. Box Ilya Repin (1911).

Entre 1811 e 1817 estudos no Liceu Imperial em Tsarskoye Selo depois -chamado "Lyceum Pushkin" em sua honra-perto de São Petersburgo, onde começou a escrever seu poema Ruslan e Lyudmila, publicado em 1820, entre muita controvérsia sobre a questão e estilo . Neste poema ele pôs de lado cânones poéticas do Neoclassicismo, foi saudado pelos leitores e gradualmente ganhou o apoio de veteranos poetas.

Em 1820 ele começou a trabalhar no Ministério dos Negócios Estrangeiros e gradualmente envolvido em movimentos de reforma social, tornando-se porta-voz dos escritores radicais para escrever poemas como Oda para a liberdade, de modo que o czar Alexandre I quase banido para a Sibéria ; mas protetores e admiradores conseguido uma sentença mais leve.


(4) O adeus de Pushkin para o mar. Box Ivan Aivazovsky e Ilya Repin (1877).

As paisagens e as pessoas do Cáucaso impressionou o poeta; por isso ele escreveu o poema romântico The Captive do Cáucaso, entre 1820 e 1821. Ele escreveu poemas Gabrielada (1821), os bandidos Brothers (1822), a fonte de Bakhchisaray (1823) e poemas ouros. Em 1823, o trabalho começou cimeira, a novela em verso Eugene Onegin. Em 1825 ele escreveu o drama histórico Boris Godunov, a contagem Nulin (1825) e Roma (1827).

Retorna a Moscou, em 1830, ele conheceu Natalia Goncharova, uma das mais belas mulheres do seu tempo. Aposentou-se à propriedade de seu pai em Boldino, Nizhny Novgorod. Ele escreveu a história da aldeia Goriújino, pequenas tragédias - Mozart e Salieri, O Cavaleiro Avarento, The Stone Guest (cover de Don Juan) e outros trabalhos. Casou-se com Natalia Goncharova, em 1831; ele se juntou ao Ministério das Relações Exteriores das Relações Exteriores com o salário especial 5000 rublos.


(5) Natalia Goncharova (Pushkina), retrato por Aleksandr Briullov (1822-1877).

Pushkin tinha muitas despesas (uma nova criança a cada ano, duas irmãs solteiras de sua esposa que com ele viva, o seu jogo, festas freqüentes e caros, bolas e recepções que sua esposa estava ocupado); por isso mesmo com uma obra literária incessante e o magnífico salário, acumularam dívidas enormes. Em 1836, ele publicou o jornal literário da revista Contemporary iria adquirir um prestígio máximo em letras russas.



Mas a inveja se escondia e 27 de Janeiro de 1837, aos 37 anos, Pushkin é mortalmente ferido em um duelo com o oficial francês Georges d'Anthès, amante secreto e portegido do embaixador holandês, um nos arredores de St. Petersburg . Eles trataram a arma, de modo que o poeta não podia defender-se, e a arma contrário primeira bala o atingiu no peito para iniciar o jogo, morrendo sem que os médicos pudessem fazer nada, na manhã de 29 de janeiro de 1837. uma grande perda para a literatura russa e mundial.



The Flower (1828)

The flower, very dry and scentless,
I see in the forgotten book;
And now, with the strangest fancies,
Is filled my soul’s every nook.

Where and in which spring was it grown?
And how long? By whom was cut?
By a hand known or unknown?
And why was put this page behind?

To the recall of the love-talking,
Or separation forced by fate,
Or quiet and alone walking
In the fields’ silence and woods’ shade?

Is he alive? And his sweet lady?
And where is now their little nook?
Or maybe they had both faded,

Like this strange flower in this book?

Em Yevgeny Bonver, 10 de novembro de 2003


Nos trechos de vídeo da vida de Pushkin eles são.



Referências

 Aleksandr Pushkin

Aleksandr Pushkin

Aleksandr Pushkin, The Flower, poema de 1828


Aleksandr Pushkin, grande romantico poeta ruso

Aleksandr Pushkin, il padre della moderna poesia russa


(1)                dipinto di Vasilij Tropinin (1827)

Aleksandr Sergeevic Puskin (Александр Сергеевич Пушкин) è nato a Mosca il 26 maggio 1799, è morto a San Pietroburgo il 29 gennaio 1837. Era un poeta, drammaturgo e scrittore russo, fondatore della letteratura russa moderna. La sua opera rientra nel movimento romantico.
Pushkin ha creato uno stile narrativo, mescolando dramma, romanticismo e la satira, utilizzando la lingua russa e fortemente influenzato le successive figure letterarie come Dostoevskij, Gogol, Tjutcev e Tolstoj.


(2)                Aleksandr Pushkin (1827), interpretato da Orest Kiprenski.Galería Tretyakov, Mosca.

Egli era un discendente di una delle famiglie più antiche della nobiltà russa, la cui storia risale al XII secolo. Sua nonna materna e la sua infermiera, un contadino modesto, per la quale si sentiva un immenso devozione verso la fine della sua vita, instillato in lui un profondo amore per racconti popolari russi e poesie; compiuto notevoli perché la sua famiglia aristocratica in francese è parlato. Pushkin ricevette una buona educazione letteraria basata sulla letteratura e la lingua francese. avido lettore fin dall'infanzia, stupito per la sua facilità di improvvisare imitazioni dei suoi maestri, Molière, Voltaire e Evariste Parny francese e il Shakespeare inglese e Byron.


(3) Aleksandr Pushkin all'età di 14 anni prima di recitare una poesia Derzavin nel Liceo Imperiale di Tsarskoye Selo. Box Ilya Repin (1911).

Tra il 1811 e il 1817 lo studio nel Liceo Imperiale di Tsarskoye Selo dopo -definito "Liceo Puskin" in suo onore, vicino a San Pietroburgo, dove ha iniziato a scrivere il suo poema Ruslan e Lyudmila, pubblicato nel 1820, tra molte polemiche sulla questione e lo stile . In questa poesia ha messo da parte i canoni poetici del Neoclassicismo, è stato salutato dai lettori e ha vinto gradualmente il supporto di veterani poeti.

Nel 1820 ha iniziato a lavorare presso il Ministero degli Affari Esteri e gradualmente coinvolti in movimenti di riforma sociale, diventando portavoce per gli scrittori radicali per scrivere poesie come Oda alla libertà, così lo zar Alessandro I quasi lo bandì in Siberia ; ma protettori ed estimatori raggiunto una pena più lieve.


(4) Addio di Puskin fino al mare. Box Ivan Aivazovsky e Ilya Repin (1877).

I paesaggi e la gente del Caucaso hanno colpito il poeta; così ha scritto la poesia romantica The Captive del Caucaso, tra il 1820 e il 1821. Ha scritto poesie Gabrielada (1821), i banditi Brothers (1822), la fonte di Bakhchisaray (1823) e poesie ori. Nel 1823 sono iniziati i lavori vertice, il romanzo versi Eugene Onegin. Nel 1825 ha scritto il dramma storico Boris Godunov, Il Conte Nulin (1825) e Roma (1827).

Tornando a Mosca nel 1830 ha incontrato Natalia Goncharova, una delle più belle donne del suo tempo. Si ritirò a tenuta di suo padre a Boldino, Nizhny Novgorod. Ha scritto la storia del paese Goriújino, piccole tragedie - Mozart e Salieri, Il cavaliere avaro, The Stone Guest (copertina di Don Juan) e altre opere. Ha sposato Natalia Goncharova nel 1831; ha aderito il Ministero degli Esteri degli affari esteri, stipendio speciale 5000 rubli.


(5) Natalia Goncharova (Pushkina), ritratto di Aleksandr Briullov (1822-1877).

Puskin aveva molte spese (un nuovo bambino ogni anno, due sorelle nubili della moglie che vive con lui, il suo gioco d'azzardo, feste frequenti e costosi, balli e ricevimenti che sua moglie era occupato); quindi anche con un'opera letteraria incessante e il magnifico stipendio, accumulato enormi debiti. Nel 1836 ha pubblicato sulla rivista letteraria La rivista contemporanea avrebbe acquisito un prestigio massimo lettere russe.


Ma l'invidia nascondeva e 27 gennaio 1837, all'età di 37 anni, Pushkin è ferito a morte in un duello con l'ufficiale francese Georges d'Anthès, protetto e amante segreto dell'ambasciatore olandese, alla periferia di San Pietroburgo . Hanno gestito la pistola, in modo che il poeta non poteva difendersi, e il primo proiettile pistola contrario lo ha colpito al petto per iniziare la partita, morendo senza che i medici non può fare nulla, la mattina del 29 Gennaio 1837. una grande perdita per la letteratura russa e mondiale.


Il fiore (1828)

The Flower (1828)

The flower, very dry and scentless,
I see in the forgotten book;
And now, with the strangest fancies,
Is filled my soul’s every nook.

Where and in which spring was it grown?
And how long? By whom was cut?
By a hand known or unknown?
And why was put this page behind?

To the recall of the love-talking,
Or separation forced by fate,
Or quiet and alone walking
In the fields’ silence and woods’ shade?

Is he alive? And his sweet lady?
And where is now their little nook?
Or maybe they had both faded,

Like this strange flower in this book? 

In Yevgeny Bonver, 10 novembre 2003


Negli estratti di video della vita di Puskin che sono.



Riferimenti

Aleksandr Pushkin

Aleksandr Pushkin

Aleksandr Pushkin, The Flower, poema de 1828

Aleksandr Pouchkine, grand poète romantique russe

Alexandre Pouchkine, le père de la poésie russe moderne


(1) Peinture par Vasily Tropinin (1827)

Aleksandr Sergueïevitch Pouchkine (Александр Сергеевич Пушкин) est né à Moscou le 26 mai 1799, il est mort à Saint-Pétersbourg le 29 Janvier 1837. Il était un poète, dramaturge et romancier russe, fondateur de la littérature russe moderne. Son travail se situe dans le mouvement romantique.

Pouchkine a créé un style narratif, mêlant drame, romance et de la satire, en utilisant la langue russe et grandement influencé par figures littéraires ultérieures telles que Dostoïevski, Gogol, Tolstoï et Tiouttchev.


(2) Alexandre Pouchkine (1827), interprété par Orest Kiprenski.Galería Tretiakov, Moscou.

Il était un descendant de l'une des plus anciennes familles de l'aristocratie russe, dont l'histoire remonte au XIIe siècle. Sa grand-mère maternelle et sa nourrice, un paysan humble, pour lequel il éprouvait un immense dévouement à la fin de sa vie, lui ont inculqué un amour profond pour les contes populaires russes et de la poésie; fait remarquable, car sa famille aristocratique français est parlé. Pouchkine reçut une bonne éducation littéraire sur la base de la littérature et de la langue française. lecteur avide depuis l'enfance, étonné par sa facilité à improviser des imitations de ses professeurs, Molière, Voltaire et Evariste Parny français et l'anglais et Shakespeare Byron.


(3) Alexandre Pouchkine à 14 ans avant de réciter un poème Derzhavin au
Lycée impérial de Tsarskoïe Selo. Box Ilya Repin (1911).

Entre 1811 et 1817 l'étude au Lycée impérial de Tsarskoïe Selo tard -appelé "Lyceum Pouchkine" en son honneur-près de Saint-Pétersbourg, où il a commencé à écrire son poème Ruslan and Lyudmila, publié en 1820 chez beaucoup de controverses sur la question et le style . Dans ce poème, il a mis de côté canons poétiques du néoclassicisme, a été saluée par les lecteurs et peu à peu gagné le soutien des Anciens poètes.

En 1820, il a commencé à travailler au ministère des Affaires étrangères et progressivement impliqué dans les mouvements de réforme sociale, devenant porte-parole des écrivains radicaux à écrire des poèmes comme Oda à la liberté, de sorte que le tsar Alexandre Ier lui a presque banni en Sibérie ; mais protecteurs et admirateurs ont obtenu une peine plus légère.


(4) Adieu de Pouchkine à la mer. Box Ivan Aivazovsky et Ilya Repin (1877).


Les paysages et les gens du Caucase ont impressionné le poète; donc il a écrit le poème romantique La Captive du Caucase, entre 1820 et 1821. Il a écrit des poèmes Gabrielada (1821), les bandits Brothers (1822), la source de Bakhchisaray (1823) et des poèmes médailles d'or. En 1823, les travaux ont commencé sommet, le roman en vers Eugène Onéguine. En 1825, il écrit le drame historique Boris Godounov, Le comte Nulin (1825) et de Rome (1827).

De retour à Moscou en 1830, il a rencontré Natalia Goncharova, l'une des plus belles femmes de son temps. Il a pris sa retraite à la succession de son père à Boldino, Nizhny Novgorod. Il a écrit l'histoire du village Goriújino, petites tragédies - Mozart et Salieri, Le Chevalier avare, The Stone Guest (couverture de Don Juan) et d'autres œuvres. Il a épousé Natalia Goncharova en 1831; il a rejoint le ministère des Affaires étrangères des Affaires étrangères à traitement spécial 5000 roubles.


(5) Natalia Goncharova (Pushkina), portrait par Aleksandr Briullov (1822-1877).

Pouchkine avait beaucoup de dépenses (un nouvel enfant chaque année, deux sœurs célibataires de son épouse vivant avec lui, son jeu, les parties fréquents et coûteux, bals et réceptions que sa femme était occupé); de sorte que même avec une œuvre littéraire incessante et le magnifique salaire, accumulé des dettes énormes. En 1836, il publie la revue littéraire Le magazine contemporain acquerrait un prestige maximale en lettres russes.


Mais l'envie se cachait et 27 Janvier 1837, à 37 ans, Pouchkine est mortellement blessé dans un duel avec l'officier français Georges d'Anthès, protégé et amant secret de l'ambassadeur néerlandais, l'un à la périphérie de Saint-Pétersbourg . Ils ont traité le pistolet, de sorte que le poète ne pouvait pas se défendre, et la première puce pistolet contraire l'ont frappé la poitrine pour commencer le match, mourir sans les médecins ne peut pas, dans la matinée du 29 Janvier, 1837. une grande perte pour la littérature russe et mondiale.



La Fleur (1828)

The Flower (1828)

The flower, very dry and scentless,
I see in the forgotten book;
And now, with the strangest fancies,
Is filled my soul’s every nook.

Where and in which spring was it grown?
And how long? By whom was cut?
By a hand known or unknown?
And why was put this page behind?

To the recall of the love-talking,
Or separation forced by fate,
Or quiet and alone walking
In the fields’ silence and woods’ shade?

Is he alive? And his sweet lady?
And where is now their little nook?
Or maybe they had both faded,

Like this strange flower in this book?

Dans Yevgeny Bonver 10 Novembre 2003


Dans les extraits vidéo de la vie de Pouchkine ils sont.



Références

 Aleksandr Pushkin

Aleksandr Pushkin

Aleksandr Pushkin, The Flower, poema de 1828